The collection in contemporary museums: ideal vs. practice
S. Hansen
What the paper says
This article examines the position of collections in contemporary museums. It assumes that collections are significant and should constitute a central component in museum work. Specifically, a museum should be defined by what it does with its collection rather than simply by the fact that it owns one. Using a network theory perspective, this study analyses how three Danish cultural history museums work with their collections. It introduces four key actors: legislation, the contemporary museum, curators and the registration system, and identifies two critical nodes in the network surrounding the collection: the registration task and subsequent interpretation. The study demonstrates how certain processes and tensions compromise the collection’s central role, despite key actors’ interest in maintaining it.
Evidence weight
Balanced mode · F 0.40 / M 0.15 / V 0.05 / R 0.40
| F · citation impact | 0.50 × 0.4 = 0.20 |
| M · momentum | 0.50 × 0.15 = 0.07 |
| V · venue signal | 0.50 × 0.05 = 0.03 |
| R · text relevance † | 0.50 × 0.4 = 0.20 |
† Text relevance is estimated at 0.50 on the detail page — for your query’s actual relevance score, open this paper from a search result.